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Prologue: Music’s data paradox

From creation and discovery, to distribution and monetization, data now permeates every aspect of the music business.

But is that data actually accessible, meaningful, and useful? In a noisy market, what does modern “data strategy” look like for today’s artists and industry professionals — and where do they most need help?

To find out, we ran one of the largest, most comprehensive surveys in history on how the music industry collects, manages, and leverages data. In total, we received responses from 600 professionals across 6 continents and 12+ industry sectors, including record labels, music publishing, artist management, live events, academia, and more.

What we found is a landscape marked by paradox:

1. Music professionals are awash in data, yet in many cases starving for actionable insights.

Music data is abundant and diverse. Our respondents use an average of 3 different types of tools in their data operations — ranging from first-party streaming and distributor dashboards, to third-party market intelligence platforms, fan CRM tools, and in-house solutions.

But despite data's ubiquity, the music data that people actually want is still fragmented and expensive. In an organizational context, music data is often siloed, with only a few employees in key positions having access to data tools — even for in-house solutions. Cost is also a major obstacle, especially for smaller teams with limited budgets.

2. Companies across the board are increasing their data investments, while struggling to quantify their returns.

There was a pervasive feeling among our respondents of a "data arms race," with 59% of respondents expecting their company to increase data budgets.

Yet, over 40% of respondents are unsure about or unable to assess the ROI from their company's current data strategy. There is a lot of data acquisition happening without the proper contextualization — namely, understanding how the data being acquired fits into a company’s broader strategy to drive tangible, sustainable business outcomes.

3. Addressing fundamental data challenges appears more urgent than investing in cutting-edge technologies.

Adoption of emerging tech solutions for music data remains limited. 40% of respondents use AI in their data operations, facing challenges including lack of expertise, high costs, and ethical concerns. Web3 adoption has decreased significantly, from 24% of respondents in 2023 to just 14% in 2024.

Meanwhile, notable gaps in data literacy and tooling persist across the industry. Only a third of respondents say their company offers data literacy training, and many still rely on basic tools like email and manual spreadsheets for fan data management. General-purpose CRM solutions are more prevalent than music-specific ones, indicating a lack of tools tailored for the industry's unique needs. There's a clear opportunity for music companies to strengthen their core data foundations, providing a better base for future technological advancements.

Through this report, we aim not just to present statistics, but to spark conversations and provide a blueprint for action in a fast-moving landscape.

In particular, our findings challenge the notion that more data automatically leads to better decisions. As the music industry moves forward, we believe its focus should shift from merely acquiring more data, to asking better questions of existing data — and investing in tools and skills that can translate information into tangible value for artists, fans, and the industry at large.

We invite you to use this report as a catalyst for transforming how you approach data in your own work and organizations. Together, we can leverage the power of data to build a more transparent, equitable, and innovative future for the music industry.

Thank you for reading!

Cherie Hu
Founder, Water & Music

Michael Zhang

Michael Zhang

Lead Author, Data Scientist

Michael has built a wealth of experience at the intersection of music and tech, having been a founding member of data teams at Spotify, Splice, Tidal, and Yousician. Throughout his career, he has focused on zero-to-one strategies, launching numerous new products, campaigns, and initiatives. Outside of data science, he makes music as one-half of the indie pop duo, corner club. His diverse background allows him to bring a unique perspective to issues concerning music, tech, and data. He's a longtime Water & Music member and contributor.

Cherie Hu

Cherie Hu

Lead Editor, Project Manager

Cherie is the founder of Water & Music, where she spearheads strategy for the company's editorial, educational, and consulting projects on music and tech. Previously, she served as a leading music-industry analyst for publications including Billboard, Forbes, and Music Business Worldwide, and taught classes on digital music strategy at Syracuse University and NYU. A sought-after expert commentator, Cherie has made interview appearances on CNBC and NPR, and spoken on panels and keynotes at over 40 conferences worldwide. "Mr. Brightside" is her favorite karaoke song.

Alexander Flores

Alexander Flores

Head of Engineering

Alexander is a full-stack developer with a focus on data and information processing. At Water & Music, he oversees technical projects including website development and backend research tooling, as well as member onboarding and support. His current interests are in AI and interface design, specifically, leveraging it to process and shape large amounts of information, while presenting it in the appropriate context.

Julie Knibbe

Julie Knibbe

Contributing Editor

Julie has been a trailblazer in music data innovation, driving music recommendation and discovery at Deezer and leading the product team at Soundcharts, a top music analytics solution. As the founder of Music Tomorrow, she continues to create cutting-edge data products that empower music professionals. In 2021, Julie launched the first edition of the "State of Data Report" to track how music pros leverage data in their field, to which she now contributes. She has also written a series of insightful articles for Water & Music, showing how industry pros can effectively leverage data to their advantage.

Maarten Walraven

Maarten Walraven

Contributing Editor

Maarten Walraven operates at the intersection of music, technology, communities, and education. There are many different hats, from Co-CEO at Symphony.live to teaching music business at Utrecht University to being coordinator for the Water & Music academy and working with Revelator Labs. If you want to follow his thinking, the best place is MUSIC x, the newsletter he co-edits.

You've reached the end of our free preview!

To access the complete State of Data in the Music Industry 2024 report — including chart visualizations, detailed tool rankings, and other behavioral insights — you'll need to sign up for a paid Water & Music membership.

Click here to join our membership and unlock the full report, along with our entire library of music industry research and educational resources. We'd love to have you!

Already a member? Sign in here.

Thank you for reading!

Water & Music

Water & Music is a leading provider of tech research, consulting, and education for the music business . Our premium research, company databases, and online courses help thousands of industry customers stay ahead of the curve on music-tech trends.

Our mission is to empower music professionals with the knowledge, insights, and connections they need — not only to navigate innovation, but also to become active participants in advancing the industry forward.

Newsletter | Membership | Consulting

Prologue: Music’s data paradox

From creation and discovery, to distribution and monetization, data now permeates every aspect of the music business.

But is that data actually accessible, meaningful, and useful? In a noisy market, what does modern “data strategy” look like for today’s artists and industry professionals — and where do they most need help?

To find out, we ran one of the largest, most comprehensive surveys in history on how the music industry collects, manages, and leverages data. In total, we received responses from 600 professionals across 6 continents and 12+ industry sectors, including record labels, music publishing, artist management, live events, academia, and more.

What we found is a landscape marked by paradox:

1. Music professionals are awash in data, yet in many cases starving for actionable insights.

Music data is abundant and diverse. Our respondents use an average of 3 different types of tools in their data operations — ranging from first-party streaming and distributor dashboards, to third-party market intelligence platforms, fan CRM tools, and in-house solutions.

But despite data's ubiquity, the music data that people actually want is still fragmented and expensive. In an organizational context, music data is often siloed, with only a few employees in key positions having access to data tools — even for in-house solutions. Cost is also a major obstacle, especially for smaller teams with limited budgets.

2. Companies across the board are increasing their data investments, while struggling to quantify their returns.

There was a pervasive feeling among our respondents of a "data arms race," with 59% of respondents expecting their company to increase data budgets.

Yet, over 40% of respondents are unsure about or unable to assess the ROI from their company's current data strategy. There is a lot of data acquisition happening without the proper contextualization — namely, understanding how the data being acquired fits into a company’s broader strategy to drive tangible, sustainable business outcomes.

3. Addressing fundamental data challenges appears more urgent than investing in cutting-edge technologies.

Adoption of emerging tech solutions for music data remains limited. 40% of respondents use AI in their data operations, facing challenges including lack of expertise, high costs, and ethical concerns. Web3 adoption has decreased significantly, from 24% of respondents in 2023 to just 14% in 2024.

Meanwhile, notable gaps in data literacy and tooling persist across the industry. Only a third of respondents say their company offers data literacy training, and many still rely on basic tools like email and manual spreadsheets for fan data management. General-purpose CRM solutions are more prevalent than music-specific ones, indicating a lack of tools tailored for the industry's unique needs. There's a clear opportunity for music companies to strengthen their core data foundations, providing a better base for future technological advancements.

Through this report, we aim not just to present statistics, but to spark conversations and provide a blueprint for action in a fast-moving landscape.

In particular, our findings challenge the notion that more data automatically leads to better decisions. As the music industry moves forward, we believe its focus should shift from merely acquiring more data, to asking better questions of existing data — and investing in tools and skills that can translate information into tangible value for artists, fans, and the industry at large.

We invite you to use this report as a catalyst for transforming how you approach data in your own work and organizations. Together, we can leverage the power of data to build a more transparent, equitable, and innovative future for the music industry.

Thank you for reading!

Cherie Hu
Founder, Water & Music

Michael Zhang

Michael Zhang

Lead Author, Data Scientist

Michael has built a wealth of experience at the intersection of music and tech, having been a founding member of data teams at Spotify, Splice, Tidal, and Yousician. Throughout his career, he has focused on zero-to-one strategies, launching numerous new products, campaigns, and initiatives. Outside of data science, he makes music as one-half of the indie pop duo, corner club. His diverse background allows him to bring a unique perspective to issues concerning music, tech, and data. He's a longtime Water & Music member and contributor.

Cherie Hu

Cherie Hu

Lead Editor, Project Manager

Cherie is the founder of Water & Music, where she spearheads strategy for the company's editorial, educational, and consulting projects on music and tech. Previously, she served as a leading music-industry analyst for publications including Billboard, Forbes, and Music Business Worldwide, and taught classes on digital music strategy at Syracuse University and NYU. A sought-after expert commentator, Cherie has made interview appearances on CNBC and NPR, and spoken on panels and keynotes at over 40 conferences worldwide. "Mr. Brightside" is her favorite karaoke song.

Alexander Flores

Alexander Flores

Head of Engineering

Alexander is a full-stack developer with a focus on data and information processing. At Water & Music, he oversees technical projects including website development and backend research tooling, as well as member onboarding and support. His current interests are in AI and interface design, specifically, leveraging it to process and shape large amounts of information, while presenting it in the appropriate context.

Julie Knibbe

Julie Knibbe

Contributing Editor

Julie has been a trailblazer in music data innovation, driving music recommendation and discovery at Deezer and leading the product team at Soundcharts, a top music analytics solution. As the founder of Music Tomorrow, she continues to create cutting-edge data products that empower music professionals. In 2021, Julie launched the first edition of the "State of Data Report" to track how music pros leverage data in their field, to which she now contributes. She has also written a series of insightful articles for Water & Music, showing how industry pros can effectively leverage data to their advantage.

Maarten Walraven

Maarten Walraven

Contributing Editor

Maarten Walraven operates at the intersection of music, technology, communities, and education. There are many different hats, from Co-CEO at Symphony.live to teaching music business at Utrecht University to being coordinator for the Water & Music academy and working with Revelator Labs. If you want to follow his thinking, the best place is MUSIC x, the newsletter he co-edits.

You've reached the end of our free preview!

To access the complete State of Data in the Music Industry 2024 report — including chart visualizations, detailed tool rankings, and other behavioral insights — you'll need to sign up for a paid Water & Music membership.

Click here to join our membership and unlock the full report, along with our entire library of music industry research and educational resources. We'd love to have you!

Already a member? Sign in here.

Thank you for reading!

Water & Music

Water & Music is a leading provider of tech research, consulting, and education for the music business. Our premium research, company databases, and online courses help thousands of industry customers stay ahead of the curve on music-tech trends.

Our mission is to empower music professionals with the knowledge, insights, and connections they need — not only to navigate innovation, but also to become active participants in advancing the industry forward.

Newsletter | Membership | Consulting